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High-quality Digital sheet music for flute and piano.
Publisher: Virtual Sheet Music
This item includes:PDF (digital sheet music to download and print), Video, MIDIand Mp3audio files (including Mp3 music accompaniment tracksto play along)*
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flute and piano
♩. = 40 BPM
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Grande Sonate, Op.62, by Franz Danzi
transcribed for Piano and Flute by John W. Pratt
Piano score and Flute part, PDF $14.99
excerpted from John Pratt’s foreword to the edition: 'Franz Danzi (1763-1826) was an active musician, cellist, and teacher in Mannheim, Munich, Stuttgart, and Karlsruhe. A prolific composer, especially of music for the stage and chamber music from keyboard solos to sextets, he revered Mozart and mentored Weber. His wind quintets are notable. His Grande Sonate, Opus 62, for piano and basset horn, was published about 1823, along with an alternative cello part which sometimes differs from the basset horn part in other ways than octave transposition. // The sound of the basset horn varies widely, depending on its construction, who is playing, what is being played, and who is describing it. George Bernard Shaw said, ''The devil himself could not make a basset horn sparkle.'' Burnet Tuthill, in Cobbett's Cyclopedic Survey of Chamber Music (1929), wrote of its "soft mellow timbre of rich beauty.” E.T.A. Hoffmann likened its sound to the scent of red carnations (see Georgina Dobré, The Basset Horn,who says, pace Shaw, “Sparkle it certainly can!”). That tent is broad enough to cover the characteristics of both the flute and the clarinet comfortably, and Danzi’s Grande Sonate alternates sparkle and mellow rich beauty in large measure.' Since we at NSM have grown quite fond of this piece, we decided to transcribe it for both flute and clarinet, so we and our friends could enjoy playing it. We offer here the flute edition, with a version for clarinet to follow in the coming weeks.
Piano score, 28 pages; Flute part, 7 pages; Total 40 pages.Preview
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All of the pieces in our collection are given a simple difficulty rating. These ratings are only a general indication based on our personal opinion, and there is no direct correspondence to US or UK grades. When grading a piece we to take into account several factors, including key, tempo, note range, uncommon rhythms, articulation, etc.
As a rule of thumb, we only label as “easy” pieces that have a limited number of accidentals, that have few or no high-register notes and wide intervals, and that can be played at a comfortable tempo. We label as “intermediate” those pieces that can be played well by the average amateur after some practice. Finally, we label as “advanced” those pieces that require some considerable effort.
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